Elizabeth Joan Kelly is a New Orleans-based classical and ambient/industrial electronic music composer. She uses found sounds and MIDI to create lush soundscapes influenced by Zola Jesus, Nine Inch Nails, Portishead, Fever Ray, and The Knife. She is also a prize-winning classical composer available for concert music and commercial licensing.
New music! Listen and purchase now on Spotify, BandCamp, iTunes, Apple Music, Amazon, Google Play, Tidal, Napster, iHeartRadio, Deezer, Saavn, Anghami, KKBox, Down In The Valley, and Shazam. **WTUL New Orleans: #2 top new album and #1 top new electronic album for the week of 8/27/2018 #20 top new album and #7 top new electronic album for the […]
New music! I collaborated with the brilliant Xqui on Starchild, a two song, name-your-price release using found sounds and field recordings. Check it out on Bandcamp.
Random Sounds from freesound.org, edited and manipulated in Audacity (2010). Attributions for samples used can be found at elizabethjoankelly.com/the-found-sound-project
For various ensembles including orchestra, chorus, and chamber musicians. Recorded 2005-2010
Review excerpts: “New Orleans composer Elizabeth Joan Kelly follows up her August release ‘Music For The DMV’ with another two belting tracks. ‘Cake’ is a mind-bending exploration of strings and electronica that you’d struggle to hear anywhere else, while ‘Starchild’ takes soundscaping to a new level entirely.” – On The Beat Zine “…a trio of […]