Many thanks to Aural Aggravation for the lovely review of the newest from myself and
Mortality Tables, LF17 / Edinburgh.
“In Elizabeth Joan Kelly’s hands, the sounds of a vibrant city are rendered, smoothed, with cross-hatching, delicate shading, some light smudging, a soft blending, by which everything clamorous is faded out to leave a slow hazing. There is, ultimately, no sense of Edinburgh itself here, and we find ourselves adrift, drifting on slow tides of sound with no connection to time or space.”
Catch the whole review, plus many more from the LIFEFILES series, over on Aural Aggravation.
Elizabeth Joan Kelly 