New Orleans alternative magazine ANTIGRAVITY reviewed Music for the DMV in their October issue. Michael Kunz writes, “‘Industrial Ambient Prelude‘ is Chopin with a house beat. ‘Club Clanger‘ is jarringly busy, whereas ‘Bouncyland‘ is loads of fun, with an all-drum breakdown that Big Freedia might sample. Many of the rhythms here are inventive enough that you want to hear them outside the 8-bit context, with brighter synths and bigger drums.”
Read the full review here!
Elizabeth Joan Kelly 