Another 👍👍👍 review for the Wormhole World sampler, with this gorgeous description of my contributions:
a trio of strange delights from the workbench of Elizabeth Joan Kelly first of which ‘cake’ has something of a youthful Orbital aura encroaching its space albeit as though led astray by Wagon Christ. ‘beau travail’ on the other hand by contrast comes twinkled in a spectral charming whose shadowy overcasting had us much recalling flip sides of classic Pram groove from back in the day. ‘starchild’ sees her swapping notes with Xqui to craft something of a fragile ghost vision pillowed upon swathes of glassy, minimalist drones motifs which reference wise might have you filled with an urge to go rooting out your Astral Social Club wares for comparison
Read the full review, which expertly describes the whole album, on The Sunday Experience, aka Mark Losing Today.
I am BEYOND excited to share that Music for the DMV has been reviewed (favorably!) in The Wire Magazine, “music’s most discerning and open-minded publication” and “the most essential music magazine of the contemporary era.” One excerpt, referring to the DMV, says, “Kelly’s atmospherics capture the emotional spectrum the human soul can traverse in this squat, beige hell.”
The Wire is available online through Exact Editions, or you may be able to access it through your local library.
On The Beat Zine gave an exciting review to the Wormhole World sampler A Picture of Good Health today, with these kind words about two of my contributions:
New Orleans composer Elizabeth Joan Kelly follows up her August release ‘Music For The DMV’ with another two belting tracks. ‘Cake’ is a mind-bending exploration of strings and electronica that you’d struggle to hear anywhere else, while ‘Starchild’ takes soundscaping to a new level entirely.
Flattering review of Music for the DMV by Gray Lee up on Houdini Mansions. An excerpt:
The end result of this digital collage of classical pieces with unique audio treatments is an artistic and detailed sonic work that one need not visit the DMV to enjoy. For those of you who are unfortunate enough to have business to conduct at the DMV, you might want to bring this album with you. The calming and intriguingly arranged music contained therin just might make your stay a little less unpleasant.
Read the whole review here, and make sure to check Houdini Mansions’ many projects, including the Magnetic Mystery Hour podcast and their gorgeous cassette release.
I’m excited to announce that “Bouncyland” is going to be on Volume 54 of Ball of Wax, a quarterly CD and book release of new music. In celebration, there will be a release show in Seattle, details below:
Ball of Wax 54 Release Show
with The Cupholders, Zachary Warnes, The Daphnes, and Kevin Sur
Friday, November 23rd, 9pm
Conor Byrne Pub, 5140 Ballard Ave NW
$8 / Ball of Wax 54 CD included with entry
Make sure to check out the excellent write-up of “Bouncyland” on the Ball of Wax blog!
About Volume 54:
BoW 54 is chock full of 20 songs from friends new and old – which we’ll be rolling out here on the Blog of Wax starting today. There is no particular theme, but the time signature 5/4 does show up more than would be statistically likely in any normal collection of 20 songs. Representing for the live experience will be Cupholders (the Ballard supergroup formerly known as Doug Hood and the Wholly Heathens, chock full of BoW friends) and three artists newer to the fold: Zachary Warnes, The Daphnes, and Kevin Sur. It’s going to be a great time – and, as always, everyone in the door gets a free copy of the new volume of Ball of Wax.
Up on Divide & Conquer, a 3.9 album rating for Music for the DMV . Thanks to them for checking out the album and supporting indie music!
New Orleans alternative magazine ANTIGRAVITY reviewed Music for the DMV in their October issue. Michael Kunz writes, “‘Industrial Ambient Prelude‘ is Chopin with a house beat. ‘Club Clanger‘ is jarringly busy, whereas ‘Bouncyland‘ is loads of fun, with an all-drum breakdown that Big Freedia might sample. Many of the rhythms here are inventive enough that you want to hear them outside the 8-bit context, with brighter synths and bigger drums.”
Read the full review here!
Absurdist review blog Yeah I Know It Sucks has a lovely review of M4DMV up (spoiler: they DON’T think it sucks).
There are a lot of gems in here, but I think I’m most fond of “With its lovely wink to fond retro times, the sounds are shaping emotional pieces of wonder, ones that come with brain teasing chord progressions that will delight & an overall sound that will easily charm anyone. My name isn’t Anyone, but I was certainly delighted.”
Also, “If you where here searching for a album that sucked, you had been fooled as this is the opposite in all it’s might and glory!” [sic]
Check out their site for the full review and to learn about more non-sucky music.