An absolutely lovely review of LF17 / Edinburgh in one of my personal favorite New Orleans publications, ANTIGRAVITY Magazine. An excerpt:
The three electro ambient tracks, each named after a location in Edinburgh where the original field recordings were made (“Calton Hill,” “Princes Street Gardens,” “Calton Road Cobblestones”), are soothing and otherworldly, occasionally employing synthesizers to flirt with more unsettling undertones. The end result only hints at the original recordings, Kelly’s production leaving the faintest memory of the actual time and place, like stepping into a dream reality.
Many thanks to ANTIGRAVITY and Mary Beth Campbell for this. Catch the whole thing, plus reviews of Kim Gordon, The Jesus and Mary Chain, Hurray For The Riff Raff, and more on the ANTIGRAVITY website.
Elizabeth Joan Kelly 