It’s with the utmost pride and joy that I share that Orca, Attack!’s C.M.S.O. is reviewed in this month’s edition of the incredible The Wire magazine. Spenser Tomson writes, “…incoherent snippets of detail are delivered via garbled new age electronics and blissed out chorals, like a sleep learning tape that’s been chewed by the deck.” The full review is available from Exact Editions or your local library. THANK YOU to Spenser and The Wire editorial staff for their support!
The compilation opens wistfully with “The Heart Sounds Like Heavy Artillery” by the New Orleans based electronic composer Elizabeth Joan Kelly. A suitably gentle opening track built around an ambient soundscape with an almost industrial sounding rhythm.
Strange Selectors is available for pre-order now as a digital download and/or (gorgeous) CD, and releases on September 28. Proceeds go to Médecins Sans Frontières. Still need convincing? Read the rest of David’s review over on the I Heart Noise blog.
“This is the soundtrack to my dreams. Chaotic, beautiful, mysterious and sublime. It took me a while to post due to trying to savor every nuance. I listened to it on my stereo, with headphones, and in my car. I got something different out of it each time. I got kinda lost in it for a bit. To me, that is the highest praise I can give.
In my top 10 favorite releases of last year.”
Head over to A Little Bit of Sol for the rest.
I’m so, so honored to once again be reviewed in The Wire, the most essential of avant-garde music magazines. Dan Barrow says of Farewell, Doomed Planet!, “at its best, as on “Feral At Night”, “Exclusion Zone Earth, (Or, All Hail Chernobyl Wolves)” and the closer “Beau Travail”, Farewell recalls William Basinski if his source material was “Personal Jesus” era Depeche Mode.”
First of all, big props to blogs who wait til the actual end of the year to make their year-end lists! I really appreciate being recognized on the following:
anearful Best Of 2019: Electronic: Farewell, Doomed Planet! “I can imagine watching the big blue marble disappear in the porthole while listening to her loopy melodicism and watery textures, which brought both Eno’s Apollo and David Torn’s guitar to mind.”
Houdini Mansions Favorite 100 Albums of 2019: Strategic Tape Reserve’s ShopLand World: Music for a Discovery Park of Miniature Supermarkets (including my track, “What Penumbras“) at no. 30