A Little Bit of Sol Review

Thanks to Phil for this stunning review of Farewell, Doomed Planet!

“This is the soundtrack to my dreams. Chaotic, beautiful, mysterious and sublime. It took me a while to post due to trying to savor every nuance. I listened to it on my stereo, with headphones, and in my car. I got something different out of it each time. I got kinda lost in it for a bit. To me, that is the highest praise I can give.

In my top 10 favorite releases of last year.”

Head over to A Little Bit of Sol for the rest.

The Wire Review ❤️

I’m so, so honored to once again be reviewed in The Wire, the most essential of avant-garde music magazines. Dan Barrow says of Farewell, Doomed Planet!, “at its best, as on “Feral At Night”, “Exclusion Zone Earth, (Or, All Hail Chernobyl Wolves)” and the closer “Beau Travail”, Farewell recalls William Basinski if his source material was “Personal Jesus” era Depeche Mode.”

The Wire can be read online with a subscription through Exact Editions, or look for a print copy at your local bookstore/library etc.

February 2020 cover of The Wire featuring Wire

Best ofs: Counterzine, An Earful, Houdini Mansions

First of all, big props to blogs who wait til the actual end of the year to make their year-end lists! I really appreciate being recognized on the following:

anearful Best Of 2019: Electronic: Farewell, Doomed Planet! “I can imagine watching the big blue marble disappear in the porthole while listening to her loopy melodicism and watery textures, which brought both Eno’s Apollo and David Torn’s guitar to mind.”

Houdini Mansions Favorite 100 Albums of 2019: Strategic Tape Reserve’s ShopLand World: Music for a Discovery Park of Miniature Supermarkets (including my track, “What Penumbras“) at no. 30

And “What Penumbras” also made it to no. 175 on Counterzine’s Top 200 Tracks of 2019, as listed on Twitter

Offbeat Review

I’m so honored to be reviewed in the new issue of OffBeat Magazine by the highly esteemed and sadly departed Robert Fontenot:

“Whether ambient like the perfectly descriptive “Whaliens” or darkwave like “Trinity Quadrant Cantata” or industrial like “Baleen Executioner” or recalling vintage ’80s synth-pop like “Departure,” nearly backing up into dubstep on “Unusual Capsule” or some mixture of all of the above as with the closing “Beau Travail,” this soundtrack for humans leaving one desolate expanse for another is disquieting yet oddly peaceful, in a way only nature can be.”

The full review is linked here, and the whole issue is available on Issuu.