…these pieces acknowledge the influence of Raymond Scott, beloved inventor of electronic instruments, unlikely jazz band leader and a composer whose distinctive approach leant itself to use in madcap cartoons – in short, the kind of avant garde personality we’re sorely missing in these uptight 2020s. You hear the overhang of Scott’s approach in a sort of playful bounce in these pieces, each of which find itself on an odd frontier between wide-eyed synth experiments and science documentary soundtrack. Both Kelly and Rodriguez contribute vocals, either as spoken-word, instructive lecture-esque monologues, or as angelic harmonies sweeping high above the accompanying electronic backdrops, or as processed, gradually slowed-down, indecipherable non sequiturs.
Tabs Out named the Strategic Tape Reserve Shopland World tape (which I have a track on) their #2 tape of the year and my Departure 2019 tape their #70! Check out the full list (which also includes music friends Whettman Chelmets, Budokan Boys, Nicholas Langley, moduS ponY, Jordan Reyes, and more) here.
“Kelly brings her considerable chops as a singer, a songwriter, and a mischievous experimental imp to the table, delighting everybody in earshot with magnificent synthesizers and baroque arrangements, recalling Vangelis and Tangerine Dream and Enya and Björk, but also the sweeping buzz and interjected interruption of our greatest generation of outsider talent.”
Full review over on the site. Thank you, Ryan!
Lovely review and photos (!!!) of the Departure 2019 tape on the Raised by Cassettes blog. “There are a lot of sounds in here all at once- some slip beats and some static which makes it even begin to sound like a swarm of bees- and yet when you hear them all combined, in their formation together, it sounds like magic…”