Cassingles review on further dot

The first review of Orca, Attack’s! new (cas)single, You Won’t Remember This, is out and it’s lovely.

“‘You Won’t Remember This’ sounds like it should belong on a Dirty Projectors or Fleet Foxes album, all languid acoustic guitars, yearning vocals from Rodriguez and haunting, elegiac harmonies from Kelly. Around the halfway mark the track suddenly pivots into a cloud of exultant wordless vocals, a jubilant beat and sounds that seem to soar gracefully skyward. On the flip, the instrumental ‘World Map’ is all low-slung bass, wonky melodies and unfathomable rhythms. Eclecticism rules.”

Many thanks to Mat! You Won’t Remember This is available now for presale, out on April 1. Read the full review over on furtherdot.com.

You Can Never Leave in The Wire

Such a great review of You Can Never Leave by Antonio Poscic in the newest edition of The Wire, and not just because he has nice things to say about my contribution. More below:

Elizabeth Joan Kelly makes a flock of strings and percussion flicker like a failing simulation, while Apta, Moray Newlands and The Snaps Jar use the collapsing elation of synths and motivational messages to cut through the fabricated optimism and false sense of safety with unsettling satire. Despite its crowdsourced nature, You Can Never Leave is cohesive and succeeds where many highly conceptual works fail. It really makes you feel the misanthropic essence of capitalism.

You Can Never Leave is available on Bandcamp, and The Wire is available in print or online.

You Can Never Leave Review and Radio

You Can Never Leave, including my track “The Insufferable Shame Of The Pine Nut Bulk Bin,” was reviewed in A Closer Listen. An excerpt:

Some of the titles are particularly amusing:  “The Insufferable Shame of the Pine Nut Bulk Bin,” “Find Your Epic (A New Level of Hell,” “The Sauna Must Be Booked 24 Hours in Advance.”  Is this really heaven, or a scrubbed nightmare?  Precisely how happy is the upper class?  What would occur if a resident were to skip one of those cappuccinos? 

The compilation was also highlighted on Unofficial Britain, and Kate Bosworth played a few tracks on Dark Train.

Pre-order today and you get my track immediately. The full compilation is out on June 25. All proceeds go to Coffee4Craig, which provides vital support for Manchester’s homeless and people in crisis. You can watch my track accompanying the ad here.

C.M.S.O. Reviewed in The Wire

It’s with the utmost pride and joy that I share that Orca, Attack!’s C.M.S.O. is reviewed in this month’s edition of the incredible The Wire magazine. Spenser Tomson writes, “…incoherent snippets of detail are delivered via garbled new age electronics and blissed out chorals, like a sleep learning tape that’s been chewed by the deck.” The full review is available from Exact Editions or your local library. THANK YOU to Spenser and The Wire editorial staff for their support!

Podcasts and reviews!

Loads of new podcasts with Orca, Attack’s! C.M.S.O. on the deck this past couple of weeks:

And there’s an extremely perceptive track-by-track review of the album up on listencorp (we expect nothing less!). My favorite part:

Reaching an ecclesiastical euphoria of harmonies and echoes, the voice doles out thank you’s from the creators of the course. After which things descend into instrumental chaos with glissando notes filling the soundscape, ending the course on an emphatic and almost ornate note tied off with a twinkling swish of pixellated bells at the very end.

Finally, Farewell, Doomed Planet! is also back on the WTUL charts this week. By my count, that’s now 21 weeks? Amazing.

On The Fringes of Sound Review

Love this reaction to Orca, Attack’s! C.M.S.O. from On The Fringes of Sound:

When I received this one in my inbox, it immediately stood out to me as one of the most interesting concepts for an album. The entire EP is something of an essay being read aloud, except the message comes through… wrong.

I‘m currently four listens in and I‘m quite sure I haven’t learned anything. But I do know that it is also very fun to listen to.

Read the full review over on the website. Thanks Lars et al!

Dream of a review from Underscore

Well, this is the kind of review one dreams about. From Underscore Music Magazine’s new series, The Inbox:

“God, I love this. I love the music and I love the idea, which is one of those you wish you’d thought of yourself and can’t believe it hasn’t been done before…Airy vocals, mangled library music, robotic spoken word and sudden flights of electronic fancy guide the listener through what seems to be a pretty complex academic paper…”

More over on the Underscore website. Thank you!